๐Ÿ’Ž On sailing as close to the wind as possible without capsizing (FCUK ADVERTISING)

To sail as close to the wind as we can without capsizing.

For instance:

Castlemaine lagers campaign, Australians wouldnโ€™t give a XXXX for any other lager.

The poster campaign for French Connection UK:

FCUK FASHION and FCUK ADVERTISING.

The shop in Kings Road that sold brass front-door fittings, called Knobs and Knockers.

The Sunโ€™s headline when Tammy Wynette died,

COUNTRY STAR TAMMY: D-E-C-E-A-S-E-D.

Eddie Izzardโ€™s joke, โ€œI come from a very traditional family.

My granddad hanged himself on Christmas Eve and we couldnโ€™t take him down until January 5th.โ€

This is a naughty, schoolboy, playground sense of humour.

Excerpt from: Creative Mischief by Dave Trott

๐Ÿ’Ž On the false distinction between emotional and rational ad campaigns (demonstrated best by Volkswagen)

In advertising, we assume the only way to get an emotional response is with an emotional appeal.

But Bill Bernbach knew that isn’t true.

Look at the history of Volkswagen advertising.

For fifty years they did product demonstrations.

And they build a brand that has massive emotional appeal.

Ask anyone about VW and they’ll say “reliable”.

That’s an emotional response based on rational advertising.

Because a rational demonstration can have a more powerful emotional affect than something vacuous designed purely to appeal to the feelings.

Done properly, reason is emotion.

Excerpt from: Creative Mischief by Dave Trott

๐Ÿ’Ž On a little bit of controversy going a long way (fixing potholes)

Everywhere potholes are a problem, everywhere councils ignore the,

Sure they’ll fix them, eventually, when they get around to it.

Which usually means months, sometimes a year later.

One cyclist in Bury decided to elevate potholes up the council’s list of priorities.

He knew the council couldn’t be bothered about potholes.

But the council were red hot on covering up graffiti.

Graffiti left on display was like advertising that the council weren’t doing their job.

It was very visible so it was covered up immediately.

He decided to use graffiti to solve the pothole problem.

Wherever there was a large pothole in the road he sprayed a set of genitals round it.

Badly drawn — just balls and a knob, crude in every way.

But suddenly the potholes stood out.

Suddenly the potholes, which had previously been invisible to the council, were seen to be outraging public decency.

The potholes, which had been ignore for months, were repaired and the graffiti removed within forty-eight hours.

Excerpt from: Creative Mischief by Dave Trott

๐Ÿ’Ž On the importance of being interesting (not just being right)

She wants Mr. Interesting.

In the pub, who do you want to listen to?

The bloke who’s always right?

Or the bloke whoโ€™s always interesting?

Being right is overrated.

Because being right is seen as the truth.

But what is the truth?

The truth is whatever you believe it is.

And you only believe what you want to believe.

And you only want to believe whatโ€™s interesting.

Excerpt from: Creative Mischief by Dave Trott

๐Ÿ’Ž On how passing up short term wins can bring long term gain (frame the context)

Mark Twain tells the story of a young boy he met in the mid-West. Every time a stranger came into town the other boys delighted in showing the stranger just how stupid this boy was.

Theyโ€™d hold out two coins, a dime (10 cents) and a nickel (5 cents) and tell the boy he could keep one.

Heโ€™d always pick the nickel because it was bigger.

Every time he did it all the other boys laughed.

Mark Twain took him aside and said, โ€œSon, I have to tell you that the small coin is worth more than the bigger one.โ€

The boy said, โ€œI know that mister. But how many times do you think theyโ€™d let me choose if I picked the more valuable one?โ€

In the original context, the boy is stupid.

Change the context, and heโ€™s smart.

Excerpt from: Creative Mischief by Dave Trott